Music Theory Sharing 樂理分享

music book on a wooden piano

西方音樂的音程種類 Exploring the Different Types of Intervals in Music Theory

Music theory is an essential part of understanding and appreciating music. One of the most important concepts in music theory is intervals. Intervals are the distances between two notes, and they are used to create melodies, harmonies, and chords. In this blog post, we’ll explore the different types of intervals in music theory. The most

西方音樂的音程種類 Exploring the Different Types of Intervals in Music Theory Read More »

五線譜/六線譜 Standard notation/Guitar TAB

結他手的煩惱: 五線譜/六線譜 Troubles of Guitarists: Standard notation/Guitar Tablature

Music standard notation is a system of writing music using a combination of symbols and markings that represent pitch, rhythm, dynamics, and other musical elements. It is commonly used in Western music to notate a wide range of musical genres, including classical, jazz, and popular music. The basic elements of music notation include notes, clefs,

結他手的煩惱: 五線譜/六線譜 Troubles of Guitarists: Standard notation/Guitar Tablature Read More »

major and minor

大調, 小調 究竟有咩分別? 超簡易分析在此! Major and Minor what’s the difference? Here is the analysis!

Major and minor are two fundamental tonalities or modes in Western music. The difference between major and minor is based on the arrangement of intervals (the distance between two notes) in a scale. In a major scale, the intervals between the notes follow the pattern of whole steps (two frets or keys) and half steps

大調, 小調 究竟有咩分別? 超簡易分析在此! Major and Minor what’s the difference? Here is the analysis! Read More »

音程 GuitarChord

如何簡化唔識彈的GuitarChord?

情境題1 喺心儀對象面前要型,但見Cmaj9唔識,如何簡化唔識彈的GuitarChord? a)彈Cadd9 b)彈C c)彈Cmaj7 d)叫佢比時間你google 情境題2 同朋友輕鬆jam歌,見到G#dim7醒唔起,如何簡化唔識彈的GuitarChord? a)彈G b)彈E7 c)彈G# d)mute線照比節奏 情境題3 練習時見到Bm7-5, 如何簡化唔識彈的GuitarChord? a)彈Bm b)彈Bm7 c)彈Dm d)Google下先 Chord嘅概念:其實chord係一堆音一齊響,而chord名就來自於音與音之間嘅音程(Interval),所以明白左interval就有助拆解chord嘅結構。 例:note D>F , note D>F# 兩個情況都係3度(3rd), 但 D>F 我地會計佢為 小3度 (minor 3rd);D>F# 則計佢為 大3度 (major 3rd) ,原因係 D>F 只有3個semi-tone嘅差距,而 D>F# 則有4個semi-tone差距,就因為呢個小小嘅差距令佢地出黎嘅聲音有大大嘅唔同,major 會偏向積極、開朗嘅感覺;minor 會偏向陰沉、悲傷嘅感覺。 第一個情況: 其實你用三個chord, 個聲都唔會撞,因為本身Cmaj9有C,E,G,B,D (1,3,5,7,9)。而Cadd9有C,E,G,D (1,3,5,9)、C有C,E,G (1,3,5)、Cmaj7有C,E,G,B (1,3,5,7)。所以三個選擇都可以應付,但只係缺少左Cmaj9嘅味道,如果呢刻你選擇google一下,人地等得你黎都唔想聽了,想練番好個chord不如等自己嘅時候再搵番好佢啦。 第二個情況: G#dim7 (G#diminished7th) 有G#,B,D,F (1,b3,b5,bb7)。G有G,B,D

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